Practice piano scales, arpeggios, hand coordination, sight-reading, and difficult passages with exact BPM, subdivisions, a tempo trainer, and timed sessions.
A piano metronome gives each beat a fixed duration so a pianist can compare note spacing, rests, hand coordination, and tempo across repeated attempts. It is especially useful when one difficult measure tends to rush or slow down.
This page starts at 72 BPM with a clear main beat. Add subdivisions when a passage needs a finer grid, then remove them as the rhythm becomes internalized.
Match every note to a subdivision and check that thumb crossings or position changes do not disturb the pulse.
Practice hands separately, then combine them at the same controlled BPM.
Loop a short passage mentally or on the instrument while the metronome keeps every repetition comparable.
Use automatic tempo increases only after the passage remains relaxed and accurate.
Choose a pulse that allows correct fingering, articulation, dynamics, and rhythm at the same time.
Find the fastest BPM where the passage remains controlled, then reduce it slightly for the first complete repetitions.
Use the same BPM for each hand and listen for uneven notes around crossings, leaps, ornaments, and rests.
Use eighths, triplets, or sixteenths to clarify note placement in a difficult rhythmic figure.
Join both hands, complete several accurate bars, and use Tempo Trainer for small automatic increases.
Different piano tasks need different relationships between the written notes and the audible click.
Begin with one note per beat, then move to two or four notes per beat without changing the hand motion.
Keep notes evenly spaced through thumb crossings, hand shifts, and changes of direction.
Choose a slow uninterrupted pulse and keep moving through small mistakes instead of restarting every bar.
Work on the smallest unstable passage, reconnect it to the surrounding measures, and confirm the complete section at one tempo.
| Practice goal | Starting pulse | Suggested settings |
|---|---|---|
| New repertoire | Slow enough to read ahead | Main beat, accent beat 1 |
| Scales | 60-80 BPM | One, two, then four notes per beat |
| Triplet passages | 50-90 BPM | Triplet subdivision |
| Hand coordination | Comfortable hands-separate tempo | Eighth or sixteenth subdivision |
| Speed building | Accurate current tempo | Tempo Trainer, +2 BPM every 4-8 bars |
Timing practice is not complete if staccato, legato, voicing, or dynamic shape disappears.
Include at least one measure before and after the problem so entrances and exits remain reliable.
Alternate timed repetitions with click-free playing to check whether the pulse has become internal.
Use the slowest BPM that preserves correct notes, fingering, rhythm, articulation, and relaxed movement. For many new exercises that may be around 50 to 80 BPM.
Start with one note per beat, then two and four notes per beat. Keep the BPM unchanged until every note remains evenly spaced through each crossing.
Yes when coordination is unstable. Confirm each hand at the same BPM, then combine them at a slower tempo and rebuild gradually.
Yes. Use a slow main beat and continue through minor errors so the exercise develops forward motion and rhythmic continuity.
Use subdivisions when rests, syncopation, ornaments, tuplets, or fast notes are not landing evenly between the main beats.
Yes. Press Start in a modern mobile browser and keep the page active while practicing.
Build 16- or 32-step patterns with classic kits, BPM, swing, effects, and audio export.
Finger drum on 16 pads, record custom sounds and performances, then export the result.
Create glitch, drone, and pad-like versions with grain controls.
Set BPM, meter, subdivisions, beat accents, click sound, tempo training, and practice time.
Choose an exact frequency, waveform, volume, and duration, then play or download the tone in a mainstream audio format.
Browse 80 CC0 and browser-generated sounds, then upload, record, trim, and save custom clips to a personal soundboard.
Play audio through an analyzer and switch visual themes.
