Predictable final level
Choose a target peak and see how much gain normalization adds or removes.
Master a finished mix in your browser with manual peak normalization, three-band EQ, and a final limiter, then compare and export a WAV.
Drop a finished mix here to start mastering or import from:
Normalize first, shape the tone, then control the final peak.
Raise or lower the mix to a predictable peak before tonal processing.
Make broad musical adjustments instead of narrow corrective cuts.
Catch the loudest peaks and keep the exported master below the ceiling.
Use a short, visible signal chain so every change has a clear purpose and can be reversed before export.
Choose a target peak and see how much gain normalization adds or removes.
Balance lows, mids, and highs with musical controls designed for full mixes.
Set the limiter ceiling to keep the exported master below your chosen maximum.
Listen to both versions before downloading the rendered WAV.
Start with small changes and compare often. A balanced mix usually needs less processing.
Use a stereo mix with enough headroom and no clipping.
Choose the target peak, then add input gain only when the mix still needs more level.
Make small low, mid, or high changes to improve balance across the whole track.
Choose the final peak ceiling and release, then render the master.
Listen to the original and mastered versions, revise settings if needed, and download the WAV.
The manual chain works for music, podcast episodes, DJ edits, and other completed stereo files.
Create a louder, more balanced listening copy without changing the original mix file.
Tighten final peaks and make broad tonal adjustments before publishing.
Bring exported edits to a controlled peak and check their tonal balance.
Prepare a clear review copy and compare it directly with the unmastered mix.
Use the controls conservatively and solve major balance problems in the mix first.
Avoid uploading a file that is already clipped or heavily limited.
Changes of one or two decibels are often enough across a complete mix.
A louder result can seem better at first, so listen for balance and clarity as well.
The comparison player always reflects the most recently rendered settings.
No. You control normalization, input gain, three EQ bands, limiter ceiling, and release manually.
No. Decoding, processing, comparison, and WAV creation run locally in the browser.
Upload a finished mix or completed spoken program. Fix individual instrument or voice balance before mastering.
WAV keeps the rendered result uncompressed and avoids adding another lossy encoding step.
No. Lower the mix level and export again before mastering if the source already clips.